I took the painting down to Shiloh’s folks and they loved it so now I’ll get it framed and take it down to them. We are using a white on white mat to pull out the white of his fur with a dark frame. I am thrilled they are so happy with him!
And now while I’m in the dog painting mode, I’m starting work on a painting for my sister in law of her sweet golden retriever Murphy who is no longer with us. here’s the initial sketch of him:
In related news I have the opportunity of putting pet paintings down at the Crossroads Animal Hospital which I’m very excited about. I’ll frame prints of Tulie (below) and Shiloh and perhaps some others and include information on doing commissions and how to get in touch with me. I am quite thankful for this opportunity.
Here’s Lookin at you. 16 x 20 framed $225
That’s it for now! more soon as I intend on blogging daily in March.
I am enjoying the challenge of capturing Shiloh in watercolor. I’m at the stage now where I want to lay in a varied color background probably in blues and browns that will capture the shaggy white edges around his ears and shoulder fur. I also have to decide what side to shade his face. I’m thinking on the right side as we are looking at him.
Since putting in the background would involve uninterrupted time and attention to get the edges just right and keep all the pigment flowing without sharp edges, I’m going to work on that tomorrow. The kids are almost home now and even though they are teenagers, uninterrupted time is hard to find!
Here are previous posts in this process:
https://rachelm.wordpress.com/2017/02/07/shiloh-in-progress/ (first attempt)
https://rachelm.wordpress.com/2017/01/24/shiloh-study-day-24/ (wild study)
As always, thanks for stopping by and letting me know your thoughts!
Here is where the Shiloh commission painting stands now. I will be working on it further this weekend. Once the area around his right eye has more done, I think it will be well along.
Here’s the board I have handy to work from. The top photo is the principal one, the black and white next to it shows me the values. The bottom right photo shows his ears, the dreadlocks, that I am incorporating. And the bottom left is the initial practice painting.
I got lost in keeping some of the white areas of his fur, and with watercolor keeping the white paper is imperative. So on the current painting I have a tiny white x in each area to remind me to keep them white.
Here are earlier stages of the painting.
Here’s where it’s at with earlier shots, and I’m not happy with the eyes, especially the left one and know that I need to save more whites in his fur. With this one I tried painting wet onto dry paper and have some fur like edges in places, giving myself a map to follow as you can see from the first step below.
And below is stage 2. I have to admit even though I’m not happy with the outcome, I am having fun with the process and rethinking my procedures. Happy with the colors on the whole too which is nice. I’m doing this on strathmore aquarius and it is a very soft paper and I think I’m going to switch to arches or saunders waterford.
You can see earlier blog postings in the journey of painting Shiloh. Here’s where I painted in bed without a pencil sketch and here’s an eye study.
Now that the 30 paintings in 30 days challenge is over, I’ve been painting plein air, taking a painting class, and working on the Shiloh commission. I just haven’t been blogging about it. But I will catch up on that. I promise!
Thanks for stopping by! I’d love to hear your thoughts.
Today was a hectic day, and as I was laying down relaxing after dinner I realized I hadn’t painted yet today. Yikes! After over three weeks I had developed a habit! Imagine that.
And American Experience Rachel Carson came on on PBS and I really had to see it right then. What to do?
I ended up painting in bed while really just listening and looking up occasionally.
As you can see from the photo I am working from a black and white image, playing with color. His nose ran more than I expected and the paint doesn’t lift up well to fix it, so it is twisted weird. Other than that I think it is a fun study. The actual commission will be much more realistic in colors but I was considering concentrating on dark and light values tonight.
I have to think more on the colors I will use and techniques for feathered fur. I may try rough paper for this which I haven’t used as much. That texture would help the brush skip across the paper helping the feathery effect.
It is the first time I have painted in bed on a large plexiglass piece and thankfully no accidents occurred although our little dog tried her best by sailing up onto the bed. Yikes again!
Thx for stopping by. I would love to hear what you think.