‘In the Spotlight” and “Cactus Queen” will both be on display for sale at the Cafe de Mesilla, a charming breakfast/lunch and coffee shop at 2190 Avenida de Mesilla. The show is hosted by the NM Watercolor Society and it’s part of our Alternate Spaces, an informal display of watercolor and morel The show will be up now through the end of May 2019. The Artists’ Reception is Saturday, April 11th from 2-5 pm as part of the 10-10 Second Saturday Art Hop in the Mesilla/University area. Galleries and museums will be open through the day for you to take a tour of the area and a bite to eat. Hope to see you there!
I’ve been I’ve been away from painting for a while because of work and travel and a bit of illness, but I am so happy to say that I am back in the studio again. This is a piece in progress on my easel.
For some reason I think of her as a cactus Queen even though she’s been mis-shapened by pollution and the like.
When I saw her over the years by Hillside Coffee in Montecillo, El Paso, I was impressed by her colors of oranges and yellows, and the ice plant’s soft succulent texture spreading around the bottom of her spikiness.
For awhile there I quite lost my way in creating depth in the ice plant foliage, but I’m happy to say that I think I have a handle on it now.
So there is more work to do in working on the distressed areas of the cactus and adding more spines and more details.
This is an experiment I’m working on. I’ve taken attempted watercolors of Euphorbia rigida, or spurge, entangled in a cluster of prickly pear cactus, and cut shapes from all of them and put them together in a collage. Nothing is glued yet but I’m pretty excited about the prospect of putting this all together, adding final details and shape defining darks and framing it in a shadowbox.
Over the past several weeks I’ve painted multiple versions from this photograph, trying different styles than my norm which is loose and free. I’ve tried a limited palette and using masking fluid to preserve the whites of the leaves in the sun, and I’ve been frustrated and in a bit of a slump.
So I’m playing this by ear as I go, keeping in mind design elements and composition, cooler bluer colors receding, warmer colors up front, and soft and hard edges. For the cactus pads I’ve ripped the edges by softening the paper and either tearing it front to back so white shows, or tearing it the opposite direction to have the white torn edge be on the back. I’m keeping in mind the watercolor principle that you save the whites and can always paint over them if they are distracting. I’ve done the same with the flower heads and arranged them to have the most detailed one at the focal point. I’m doing multiple levels of the flower bracts to create dimension.
The sky background is streaked because I am (so far) using a multimedia paper I painted rather than watercolor paper for the background, so I’ll have to decide if I need to replace it or if I can live with the streaks.
Below is my first attempt at painting this scene, and it will be on display in July at the Cottonwood Gallery of the Southwest Environmental Center in Las Cruces at the corner of Main and Las Cruces streets. The Southern Chapter of the NM Watercolor Society is hosting a show there with the theme of Nature, and there will be a lot of beautiful watercolors on display to enjoy in the coolness of air conditioning on a summer day. I hope you can make it!
Regarding painting this again, or other pieces, I’ve decided to go back to my normal loose and free style. For this view I’ll wipe out the leaves from a rich dark puddle, but that’s for another day and another post.
This was a fun piece done in a class where we wadded up the paper while dry to get texture, even tears, in the surface. We then wet it and worked wet in wet. I like how the wrinkles helped add interest to the mountains. Other elements that work well are the papa, mama, baby bear size and details of the flowers and lost and found edges.
What do you think?
Here’s another piece that I’ve finished and I’m really happy with it! The thorns are made by scratching on the paper surface to add more texture to the negative pained thorns and segment edges of the cactus itself.
If you remember here’s what it looked like in an earlier post.
So what did I learn from doing this? First that negative painting to preserve lights is not that difficult. Negative painting is when you create an image by painting what is around it I did that on the branch, and also to create a stamen and pistils in the center of the main bloom. I remembered to describe the elements in varying amounts of specificity. In other words, not all of the blooms are equally detailed or in focus which gives the viewer something to imagine and fill in the blanks. I also went ahead and put in the background at the same time as the focal flowers and foliage which helped have some edges soft, some edges sharp (that’s known as lost and found edges). Plus I learned that all this was FUN to do!
Have I mentioned how much I like taking classes with Laurel Weathersbee? This is the third of four classes with her and I have learned so much. More on that later, because I am energized from class and want to put that energy into my Shiloh commission.
Last night I tried the cholla blossom again for try three and ended up trying a loose interpretation after it. I know I like the loose one best. Try four. it expresses for me the delicacy and light and heat that surrounds the cactus when in bloom
How about you? Which do you like better?
I had real difficulties with being interrupted by my kids yesterday while working on this so it doesn’t have the freshness I wanted. Frustrating and I probably wouldn’t show it, or persevere with it, except for this challenge. Oops, I was wrong in writing this was a prickly pear blossom. It’s actually a cholla or walking stick blossom.
The cholla cactus attaches very easily to passersby, and it is never a fun experience for the human or animal. It’s much more fun to enjoy it from afar. Its common name is Walking Stick, and it’s one of my favorites.
This is the product of plein air painting on mother’s day in my side garden. It took me a while of trial and error, to find my technique to show you the character, spines and spirit of this cool plant. This plant hangs its head over my side wall into the sidewalk below, and it makes me smile as I start my dog walk this time of year. I plan to paint it from that angle as well, backlit by the sun.
This one will be framed and put in August’s show. As it gets closer, I’ll give you the dates and location. I may consider putting it in a square frame. We’ll see….
Thanks for stopping by.
Today I started sketching for a larger painting using one of my photos, taken when the kids were toddlers and I could only dream of having time to paint!
This is an apple cactus (cereus repandus) another common name is Peruvian Tree Cactus. We don’t see many of these in our neighborhood yards in El Paso, although there is one that I recall. I took this picture in Palm Springs, CA in the mohave desert region. If you click on the link you’ll see comments from people all over the world with experience with this plant.
I had the most relaxing hour sketching this and envisioning how I would paint it. I hope that I do it justice, at some point in the many times I try it! Smile. I will sketch it bigger tomorrow, transfer it to paper and start practicing the delicate washes of pale color required for the bud tip.
I cropped the image to have separate areas that are smaller to work on, as opposed to a wash covering a sky. I find those easier to handle. I know I’ll have to get the values correct (darks and lights) and also when to make soft edges or hard edges, where the color stops in a distinct line.
This will be challenging and fun!