I was in the process of setting up a still life of shells to sketch and then carefully transfer marks to the watercolor paper to do a full painting. But I didn’t want to take the extra steps, so this was playing around sketching with the brush and pigment straight to the paper. Again this was a limited palette of indigo, burnt sienna, and a cool “purpley gray” made with a new pigment I’m trying: Daniel Smith pyrrol orange which is quite bright and scarlet colored, but I created gray by combining it with a blue, I *think* (don’t quote me on this) Ultramarine.
I really like your style!
Love,
Isabella
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I love the gray tones of this painting.
http://annemadelinedesigns.com/
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Thanks to you both for your kind words and for checking out my blog!
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